Sonora – Pendant
The story of the Sonora pendant is one of a pure geometrical shape, pursued by Magistretti throughout his entire life. The creative path followed by the architect and designer in his projects is, in fact, an absolutely peculiar itinerary: geometry represents a constant fellow traveller; his main source of inspiration, always and in any case, is simplification.
The gold finish inside the Sonora is created by artisans manually applying 3″x3″ gold leaves. Each piece and every inner surface is unique. It therefore won’t be as uniform as paint would be and the finish may look uneven.
|Material:||Metal (Small and Medium sizes) |
PMMA (Large and Extra-large sizes)
|Finish:||Black, white, gold, black/gold or white/gold|
|Dimensions:||Small: 14.9" x 7.4" - Medium: 19.7" x 9.8" - Large: 35.4" x 17.7" - Extra-large: 52.4" x 24"|
|Light Source:||Small: 1 x E26 - Medium: 1 x E26 - Large: 1 x E26 - Extra-large: 2 x E26|
|Power:||Small: 60W - Medium: 60W - Large: 150W - Extra-large: 150W|
In 1920 Magistretti was born in Milan, the city in which he graduated in architecture in 1945, and where his professional career has spun its story ever since, chiefly in the fields of architecture, town planning and industrial design. The first recognition of his work came in 1948, when he won the Gran Premio at the 8th Triennale. After that came almost forty years of activity with other prizes and awards in recognition of Magistretti’s work in various sectors in different countries.
Giving lessons and lectures in various faculties of architecture and schools of design in Italy and abroad, from Milan to New York, from Paris to London, a city to which he is particularly devoted, he has been an “Honorary Fellow” of the Royal College of Art since 1983.
Furniture, lamps and other objects that he designed may be found all over the world and the most important design museums have given exhibitions in his honour and kept examples of his work in their permanent collections.
Magistretti’s research has been continuous – into design, the culture of the project and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigours of fashion that they have passed through during the years. He started designing for Cassina in 1960, and from that date on his signature is to be found on very many products. We recall in particular the Maralunga sofa of 1973 and the Nuvola Rossa (1977) bookcase, which are still indisputable international best-sellers and have provoked hordes of imitations which have not been able to echo even faintly the success of the originals.